Wednesday, May 6, 2020
Comparing Colonialism and Imperialism in Heart of...
Imperialism in Heart of Darkness and Kiplings Poetry Imperialism sprung from an altruistic and unselfish aim to take up the white mans burden1 and ââ¬Å"wean [the] ignorant millions from their horrid ways.â⬠2 These two citations are, of course, from Kiplingââ¬â¢s ââ¬Å"White Manââ¬â¢s Burdenâ⬠and Conradââ¬â¢s Heart of Darkness, respectively, and they splendidly encompass what British and European imperialism was about ââ¬â at least seen from the late-nineteenth century point of view. This essay seeks to explore the comparisons and contrasts between Conradââ¬â¢s and Kiplingââ¬â¢s view of imperialism in, respectively, Heart of Darkness and ââ¬Å"White Manââ¬â¢s Burdenâ⬠and ââ¬Å"Recessional.â⬠In a historical context, the two texts differ greatly: Heart ofâ⬠¦show more contentâ⬠¦This was the occasion for which ââ¬Å"Recessionalâ⬠had been written, and it celebrated a vast empire that had ââ¬Å"dominion over palm and pine,â⬠and a ââ¬Å"far-flung battle-line.â⬠The poem speaks of ââ¬Ëlesser breeds without the Law,ââ¬â¢ and it is this law that ââ¬Å"if, drunk with sight of power,â⬠must not be forgotten. It is a prayer for the eternal altruistic mission that the white man had been destined for, as well as a hopeful prayer that England should not decline: Far-called, our navies melt awayââ¬â On dune and headland sinks the fireââ¬â Lo, all our pomp of yesterday Is one with Nineveh and Tyre! Judge of the Nations, spare us yet, Lest we forgetââ¬âlest we forget!4 The call to extend ââ¬Ëthe Lawââ¬â¢ continues in Kiplingââ¬â¢s poem ââ¬Å"The White Manââ¬â¢s Burden.â⬠However, such an extension calls for a definition of a ââ¬Å"white man.â⬠By this term, Kipling refers not only to those with white skin colour. Charles Carrington points out in his biography5 that in the late 19th century ââ¬Å"white peopleâ⬠included all men with the moral standards of the civilised world. Carrington convincingly cites Kiplingââ¬â¢s own poem ââ¬Å"Gunga Dinâ⬠about an Indian water-carrier, in which Gunga Din is ââ¬Ëthe finest man I knewââ¬â¢. I have elaborated upon Carringtonââ¬â¢s example: [When] aââ¬â¢servin of ââ¬ËEr Majesty the Queen, Of all them black-faced I
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